Review
After the fact
Tullie House Museum and Art Gallery, Carlisle
30 April - 3 July
After the Fact is a major show bringing together work by Thomas Demand, Emma Kay, Martin Vincent, Jamie Shovlin, Abigail Reynolds, Lucy Harrison and Matt ODell. Meticulously curated by Tullie Houses Fiona Venables, the exhibition sets out to present works that reflect upon the subjectivity and partiality of historical record and received knowledge.
Ironically, whilst recent contemporary touring shows often feel like they've travelled too far from their curatorial origins and lost something in translation, this exhibition about the failure of fact bends over backwards to elucidate itself. This is subtly acknowledged in the installation of Shovlins work where a bookshelf of supporting texts, sources and, significantly, a Dictionary of Lies also contains the excellent exhibition catalogue and notes, filed (where else?) under Factual.
The show features major photo works by Thomas Demand something of a coup for Carlisle as his first major retrospective at MOMA in New York nears its end. Immaculate cardboard depictions of historically charged mundanity are presented as sumptuous photographs with the scale of nineteenth century History painting. Echoes also present in Abigail Reynolds Mount Fear envisionings of Manchester and Eindhoven crime figures as mountainous landscapes. Addressing the difficulty in reacting objectively when personal tragedies are distilled into the currency of statistics, numbers are transmuted into the traditional visual language of the Sublime.
Whilst asserting that meaning (is) diluted and subvertedvia the mass media, the works here affirm the human amidst the data through meticulous making, story telling, the reclamation of the lost. When I visited, the gallery assistant was busy showing a pensioner how to navigate Jamie Shovlins web-based (and notoriously spurious) Naomi V Jelish Archive. As a demonstration of the shows highlighting of the mutability of fact, whilst simultaneously encouraging personal engagement with the construction of meaning, it could hardly be bettered.
west.walls@virgin.net
Paul Taylor
Paul Taylor is an artist and director of West Walls Studios, Carlisle.
First published: a-n Magazine June 2005
Back to top