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Project blogs

Mark Wallinger

An academic model

By: Paul Glinkowski
Paul Glinkowski profiles the work of Paul Bonaventura, co-founder of The Laboratory, the research wing of the Ruskin School of Drawing and Fine Art at the University of Oxford, in the fifth article of Subscribers read on…

Mark Wallinger, ‘Time and relative dimensions in space (detail)’, mixed media, dimensions variable. Photo: John Riddy.Oxford University Museum of Natural History, 2001

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In memorium

By: Jane Watt
Jane Watt discusses contemporary approaches to the creation of public monuments. Subscribers read on…

Mark Wallinger, ‘Ecce Homo’, white marbelised resin, gold leaf, barbed wire, 1999. Courtesy: Anthony Reynolds Gallery.

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Losing it in translation

By: Paul Glinkowski
A recent spate of public utterances by influential policy makers and educators suggests that the visual arts may need to develop a more favourable relationship with language. Some argue that it should Subscribers read on…

Mark Wallinger, ‘Seeing is Believing’, lightbox in three parts, steel, aluminium, plexiglass, light fittings, each part 125x125cm, 1997. Courtesy: Anthony Reynolds Gallery, London.

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The Campaign

By: Sacha Craddock
The photograph of the close up of a young woman’s face that was on display both inside and outside Sadlers Wells Theatre is a continuation of Braco Dimitrijevic’s long running Casual Pas Subscribers read on…

Mark Wallinger, 1999. Courtesy: Anthony Reynolds Gallery.

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