Visual art exhibitions and events with a platform for critical writing
By: Heather Phillipson
Heather Phillipson responds to the sights, sounds and history of LCF from her studio on the roof of Cordwainers College.
Heather Phillipson is currently Artist in Residence at London College of Fashion. She has a doctorate in Fine Art practice and her works have been exhibited both nationally and internationally.
# 8 [23 June 2008]
The building closes at 5pm
and there's a man shouting in the street. Yesterday
I got sunburn taking breakfast in the garden -
but that was Sunday and today it's sunny
and my head is not quite empty although empty
of good ideas. This evening when I'm home early
I will make cheesecake.
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# 7 [20 June 2008]
My footsteps on tarmac, Islington, the street,
Golden Lane, through the front door, stone,
the staircase, the corridor, parquet, the staircase,
through the door of my studio, carpet. The staircase,
worn down by shoes - by footsteps in shoes -
goes up three floors, goes down three floors.
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# 6 [25 May 2008]
Another six months to come up with A Good Idea.
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[enlarge]
'Moccasin, size 8'. Photo: Heather Phillipson.
# 5 [20 February 2008]
Cordwainers
Make safe long hair and any loose clothing.
Use wrinkle chase rollers for leather only.
Welt stitcher, welt beater, dust extractor,
roughing and scouring machine. Insole press,
sole activator, leather-stitching machine.
Wrinkle chase. Tack-side laster.
Men’s sequential heel-attacher.
Eclipse nails. Buttress nails. Blue, waxed tacks.
Diana wedge sole, Diana mule sock,
Desert boot, insole block. Helen, welted.
Harry sole. Diana full sock, Diana sock.
Forepart toe laster, backpart flanger.
Skiving machine (for stiffeners only).
Outsole stitcher. Sole attacher.
Sole press, sole profiler, backpart moulder.
HVA heat-setter, backpart activator.
Sole-splitting machine.
Leather-sole splitter, auto edge-trimmer.
Skeleton, one size. Grannie, one size.
Sanding machine, upper conditioner.
Clicking and closing. Bottom stain.
Blondie insole. Forward only.
Joyce sole. Jimmy sole. Moccasin, size 8.
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[enlarge]
'Barbican, 2.45 pm'. Photo: Heather Phillipson.
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'The Studio'. Photo: Heather Phillipson.
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'Panorama'. Photo: Heather Phillipson.
# 4 [18 February 2008]
So many stairs to climb! I trip across
the rooftop to the door of my studio. On a good day
I love art and today the sky is clear and my tights
aren't damp. I have an envelope in my bag
with copies of paper patterns – cycling skirts,
capes, horse-riding coats. Blue sky over Barbican!
I will cut shapes and think in three dimensions
and start to fold paper like fabric like paper
until it looks like something I hadn’t imagined before.
Frank O’Hara’s fingers on his typewriter –
he made making things up seem so effortless.
My fingers are cautious with the scissors.
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[enlarge]
'Shoe workshop'. Photo: Heather Phillipson.
[enlarge]
'Cordwainers stairwell'. Photo: Heather Phillipson.
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'In the stitching room'. Photo: Heather Phillipson.
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'Knitting machine'. Photo: Heather Phillipson.
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'Paper pattern - cycling skirt'. Photo: Heather Phillipson.
# 3 [15 February 2008]
Not enough time in the studio this week, but a bit of time for taking photographs. Consequently, LCF has been edited to a series of images in my head...
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# 2 [6 February 2008]
It is still raining and I am almost level
with the single edgeless cloud that spreads its debt
over Barbican. It looks bored without any wind
to shift it on. The computer works, it is the only other
living thing, and the fan heater. I put on my damp jacket,
my red mittens, and the heater at my ankles. I am just like
my grandfather in the fifties (they say Winter’s getting warmer,
but I’m sure that studios have a different climate) except,
lacking his inspiration, I may get still colder
and colder still before I can come up with an idea that moves me
away from the window. I could wear a raincoat
when I walk from Holloway in the mornings?
But that’s where forward-planning comes from! Weather
from the North drawing me into contemplation like a needle
pulling cotton. This is not predictable, being art,
and not insignificant, since I, amongst others, am waiting
to see what I do. Downstairs, students are stitching
shoes and bags and I hear nothing of it from here. Across
the roof the sky takes up residence in the puddles, as ever;
I will see what marks it makes.
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# 1 [1 February 2008]
'I sound my barbaric yawp over the roofs of the world'
- Walt Whitman, Song of Myself
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