ARTISTS TALKING

# 15 [20 June 2008]

You know that feeling you have when you just 'can't put your finger on it'? I'm really enjoying that feeling today.

# 14 [17 June 2008]

Here are some of the thoughts that drift through my mind when I am working on ‘Left Behind’... (it’s difficult to remember many of my thoughts, like when you wake from a dream and it dissolves before you grasp it, but I see this as a sign that I have let go of my logical thought processes, and I welcome that)  –         

the debris that gets left behind by our activities (dust, stains, dirt) – aspirations and daydreams as we wash the dirt and sweat, out of our clothes, making them anonymous and empty again -  longing -  wiping surfaces, tears, bottoms – creating order out of chaos, totally fulfilled – trapped in a loop of repetitive activity, feeling angry resentful and bitter - clean, scrub, fret about stains, worry what judgements others will make – houseproud means wholesome – cleaning is pointless circular - trying to remove evidence - trying to reach the other side– to feel in control – linked to generations of housewives who clear it all up - invisible workforce of cleaners who remove all traces of our time in our offices, on trains and buses, in cafes and restaurants, at cinemas – get rid of anything that reveals vulnerability – messy drippy tears, snot bubbles, leaky bladders, crumbs – don’t make a fuss – wash your face you’ll feel better – if you pretend you are ok, you are ok.

# 13 [23 May 2008]

I’m giving a talk at the gallery on 25 July. I’ve been thinking about how I can talk about this piece of work in a way that leaves space for people to make their own mind up. My practise involves a period of research, a period of inhabiting the world through the eyes of the latest idea, then investing meaning in the piece through the making process.

By the end I feel I want to explain it all, and have trouble letting it stand alone. I suspect this is also the product of 15years of involvement in community arts; it’s become part of the fibre of my being to consider accessibility in everything I do. Yet I really like looking at work that is difficult, even impenetrable. I have to consciously remember to be lateral and open ended, to enjoy ambiguity.

# 12 [20 May 2008]

I’ve been thinking about the performance element of ‘Left Behind’ today. I’ve made a test piece to make sure that I can achieve the right effect technically – but the actual performance or action remains vague.

Here are my current ideas: I know that I want to embody the character of a woman who is looking for a way for a change to happen. The film is silent, so she has no voice, and perhaps a limited sense of her options. She is carrying heavy shopping bags full of grit and salt, and sits in the coffee lounge initially looking defeated. I want her to go on a quiet internal journey, and then to leave the gallery.

The film will be projected onto the corner of the gallery where it was filmed, so it produces a life size but insubstantial character in the room. 

There are so many layers and levels of thought involved in this part of the installation – the more research and thought I give it, the more paralysed I feel. I know that ultimately I need to let go of all the rational cerebral processes, and do what feels right, but I don’t know what that is at the moment, so it’s a bit nerve-wracking.

 I think I’m feeling a bit uptight since moving house and meeting work deadlines (for Creative Partnerships and engage) so I can’t easily shift into the soft focus state I need to really work creatively.  

This is a constant challenge for me (and probably other artists?) – managing the shift from being an effective functioning person who understands and can conform to the things that most people see as important – punctuality, clarity, reliability, meeting deadlines, sticking to plans – and being able to shift into a state where none of these things restrict your sense of creative possibilities.  

I'm filming at the gallery on 23rd June, so it'd better come together then!

# 11 [7 May 2008]

Feel like I'm juggling jelly at the moment. Spent most of the day so far trying to allocate time in my diary to get everything done. The main complication as ever is finding childcare to fit around erratic and irregular working patterns. I have two freelance consultancy jobs for Creative Partnerhsips and engage vying for position, and lots of trips to Scarborough to fit in, to make and instal the show. Then I get sucked into emailing local arts organisations in a bid to start networking in my new area. Which reminds me that I still haven't told the bank that I've moved, etc etc...

When is it ever About the Art? Rob Turner commented on one of my posts that the art will find a way of escaping, and it will make sense of itself in the end. I felt a bit prickly when i first read it - like I KNOW THAT thankyou - but his words have stayed in my head, and have ultimately been quite reassuring - cheers, and sorry for the private grump!

I've remembered that it's About the Art when I'm gnawing away at a tricky problem with siting the projector in the gallery, or when I'm reading other blogs and feeling connected to my artist self, or when I'm just looking at things with Interest. Making-time in the studio is a tiny part of it and that's OK.

# 10 [21 April 2008]

Alongside moving house, settling (resistant) daughters into new home and school, and facing up to the fact that every task involves a 20 minute search through several large cardboard boxes, I’ve been struggling to provide Scarborough Art Gallery with some blurb and an image for their publicity leaflet.  

 I’ve just been told that as the leaflet has been redesigned, an image may not be included. I knew there were changes afoot– the gallery is in the process of becoming part of a Trust, instead of Scarborough Borough Council, so they will be dealing with all sorts of new procedures and other changes. The staff are being very helpful and supportive, so I just hope my image goes in! 

As for the blurb, it took me a ridiculously long time to condense my ideas for the work into two sentences, and now that’s been cut in half… Lara, the Curator of Art has worked with me to develop a good ‘one sentence’ statement instead. I guess I can make use of the second sentence here, as an introduction to talking about the work. It will also come in handy for preview invites and publicity releases, so it was a worthwhile exercise. 

'Left Behind' 19 July – 19 October 2008

Video projection, textiles and dust-filled jam jars are delicately brought together in this new work created especially for the Coffee Lounge.

 'Left Behind' was made in response to the semi-domestic space of the coffee lounge and explores the visible and invisible traces we leave behind in our every day lives.

# 9 [11 April 2008]

moving house is bad. never mind losing the thread, I've lost the whole reel. It'll be in one of these b***** boxes...

Service will resume shortly.

# 8 [23 March 2008]

We are relocating from Scarborough to Holmfirth. Moving next week. It's a nightmare. Enough of that though, I think it's time to focus on the art... if I don't do that here, it won't happen at all at the moment.

I've actually made a lot of progress with the piece I am making for Scarborough Art Gallery, but somehow I never get round to talking about it in my blog. In fact it's quite fascinating to observe how my default position is to avoid talking about my work in any circumstance. Particularly when I talk to curators, exhibition officers, anyone who would really like to hear a bit more about why I do it. I have an impressive range of techniques for giving the whole subject the bodyswerve. Like now for example, rambling on like this.

OK, I'll do the easy bit first - a list of the various elements of the piece; There are the 'preserving jars' of dust and dirt, on the shelves of an old oak(?) wardrobe. I've made a felt 'pinny' which is hanging in the wardrobe, and I've done a film test of myself 'doing things' in a corner of the gallery. I'm going to project the film back onto the same gallery space. I need to think a bit more precisely about what I will do and wear in the film. 

I think I'll avoid talking about what it's about for a bit longer and bite the bullet next post. Let's not over do it after all - otherwise I'll need a lie-down and there's no time for that!

# 7 [11 March 2008]

I chatted to one of the Other Mothers in the playground this morning. She asked what I’ve been up to and I told her I’m making a film for a show at Scarborough Art Gallery Coffee Lounge. She said;  

‘but why would you spend all that time doing that? If it doesn’t earn you money and it doesn’t get the house tidy, I just don’t get why you do it…’

I couldn't really answer her in a way that she would understand, and got a bit embarassed. I laughed and muttered something about how I know it's quite ridiculous.

When I get home I feel angry that I undervalued my work, that I didn't defend my right to be different.

# 6 [10 March 2008]

I cleared some boxes of junk from my in-laws garage yesterday.. old school books mainly. At the bottom of one box I found the first knitted sculpture I ever made, during my degree.  I had an appalling relationship with my tutor at the time. I vividly remember how he picked it up as though it was disgusting, and tossed in the bin, saying 'what are we playing at now then Rachel?' 15 years later I plucked up the courage to start knitting again. Here's one of my recent knitted pieces.