a-n logo

Reviews »

Page 28 of 30 :

View options


Have your say

Add or comment on reviews about contemporary art exhibitions, performances, publications or public art. First login or register:

Login


» Lost password?

Promote your show

Information on display banner or listings:
Promote your show »

Feedback

See something inappropriate or something we could do better on this page?
» Leave your feedback

whitstable button an jobs button

Reviews

Minus 20

www.e-2.org

'Minus 20' is a series of nine commissions from web-based www.e-2.org. When the call went out for submissions, the main consideration was that any work submitted had to be less than a 20k file size, thereby removing the often-torturous downloading Read on…

Reviewed by: S Mark Gubb

 

No Man's Land

The Lowry, Salford Quays and Static, Liverpool 26 January – 28 April

Walking through the large elongated space of the Lowry where David Walker's sizeable photographs are installed is a lonely experience. As one close-up of detritus follows another, we are presented with the bleak details of abandoned rubbish, toys Read on…

Reviewed by: Simon Webb

Intervention

105-111 Westminster Road, Handsworth, Birmingham 1 – 22 February

For one month five three-storey derelict Victorian houses, destined for demolition in the Birmingham suburb of Handsworth, were transformed into a labyrinthine temporary exhibition space. This initiative follows a previous exhibition 'Alchemy' Read on…

Reviewed by: Krystyn Finn

Post Folk Archive

Shrewsbury Museum and Art Gallery, Shrewsbury 12 January – 2 March

Over the past decade, Russian artist-cum-anthropologist Vladimir Arkhipov has been compiling his Museum of Self-Made Things – a collection of handmade and improvised objects made by other people. His project exists within the context of Read on…

Reviewed by: Richard Noyce

Flights of reality

Kettle's Yard, Cambridge 12 January – 3 March

'Flights of Reality' brings together new and recent works by five artists who attempt to make concrete some of the incredible norms of science. Curator Simon Groom introduces the works enticingly as "thoughts in progress, mapping out the possible, Read on…

Reviewed by: Stephanie Douet

House Work: Domestic Spaces as
Sites for Artists

Angel Row Gallery, Nottingham 19 January – 2 March

'House Work' combines the work of fifteen artists who creatively explore the house, the home and domestic life. As you enter the gallery you are pulled to your right by a streak of loud wallpaper that leaps out from the stark white spaces that Read on…

Reviewed by: Michelle Vacciana

Pier and Ocean

South Pier and Claremont Pier, Lowestoft.
Permanent Installation

For this commission, David Ward has installed two sculptural pieces at the ends of South Pier and Claremont Pier. One of these piers is inaccessible, wooden and rickety, whilst the other is more modern and functional – a balance of settings Read on…

Reviewed by: Wil Bolton

Blinc and ...But Still

G39, Cardiff 12 January – 10 February

Running concurrently, 'Blinc' and '...But Still' are linked not by any common theme or motive but by their apparent divergence. 'Blinc', a series of night-time screenings showing new video work deals with the moving image. '...But Still', a Read on…

Reviewed by: Heather Phillipson

Patterns

Spacex Gallery, The Institute of Arab and Islamic Studies and Exeter Cathedral, Exeter 24 November – 2 February

'Patterns' is a multi-site project coordinated by Spacex Gallery and Art + Location in Exeter. One of the participating venues is the city's Islamic centre, a one-storey concrete prefab in the corner of an unmade car park, it is hardly pristine, Read on…

Reviewed by: Cherry Guillespie

Love, Loss and Betrayal

20-21 Visual Arts Centre, Scunthorpe 17 November – 16 February

'Love, Loss and Betrayal' is a mixed media show featuring five contemporary British artists: Robin MacFarlan, Colin Rose, Glynis Owen Jones, Emma Wigg and Néo Henry. The work ranges through traditional sculpture and printmaking, abstract Read on…

Reviewed by: David Kennedy

Moving: Sculpture by Adam Reynolds

The Bull Theatre
Barnet, London

Adam Reynolds has created a site-specific sculpture for the Bull Theatre in Barnet, an eighteenth century edifice which once served as a magistrate's court before becoming a pub early in the last century. With infectious humour the artist gently Read on…

Reviewed by: Keir Smith

Whistler

High Street, West Bromwich and Limited Edition CD 23 November – 19 December

"It's weird. A flock of seagulls? An alien invasion?" "No, I think it's someone inside the building trying to whistle the theme tune to the The Sweeney!" Schoolboys walking home along West Bromwich's High Street are bemused and amused by Hewitt and Read on…

Reviewed by: John Cornall

Windows: online project by Michael Atavar

www.bbc.co.uk/arts/digital

Windows, Michael Atavar's new four-part 'e-say' (an online essay) commissioned for BBCi Arts, is one of a series of web-based artworks that examines "virtual reality, plasticity and a world beyond interface". Earlier e-says in the series include Read on…

Reviewed by: Andrew Ford

Words And Things

Centre for Contemporary Arts, Glasgow 26 October – 23 December

The Centre for Contemporary Arts (CCA) has finally moved back to its original home in Sauchiehall Street. The new surroundings look impressive and feel optimistic with an ambitious programme to accompany the new environment – including music, Read on…

Reviewed by: Mark Dawes

Pressing Flesh

Museum of Classical Archaeology, University of Cambridge 3 November – 19 December

Three contemporary artists have been chosen to exhibit their works within the museum's collection of plaster casts of classical sculptures.The majority of the works shown have been created specifically with this site in mind and are designed to form Read on…

Reviewed by: Wil Bolton

Ironic Iconics: The Readymade in Contemporary Art

Mid Pennine Gallery, Burnley 3 November – 22 December

Take a brick, some bathroom plugholes and a few light bulbs and you can make a nice table lamp. One of the dangers facing designer Jason Taylor is that it's quite tempting to rip him off and make your own versions of his work. His other lights Read on…

Reviewed by: Martin Vincent

Acknowledged Sources

Hastings Museum and Art Gallery, Hastings 15 September – 2 January

Hastings Museum houses an eclectic collection of art and historical objects ranging from stuffed birds to native American artifacts. The venue provides a fitting backdrop for one of three simultaneous exhibitions entitled 'Acknowledged Sources', Read on…

Reviewed by: Anna Dumitriu

A New Breed: Sculptural representations of the canine form

The Craft Centre & Design Gallery, City Art Gallery, Leeds 3 November – 12 January

If you are a dog lover, interested in ceramics and have some money to spare this show is definitely for you.The seven makers included in the exhibition all use dogs as a focus for their work, skilfully manipulating a variety of ceramic techniques to Read on…

Reviewed by: Karen Watson

IMMEDIATE 2: New Work, new media

Various venues, Sheffield 13 October – 24 November

Over the last couple of decades art students using photography, film or video have tended to be conceptually concerned with the shadow play of media conventions and manipulations. Yet the culturally questioning and even politically subversive Read on…

Reviewed by: Robert Clark

In-Print: Evolution in Contemporary Printing

Ferens Art Gallery, Hull
29 September – 25 November

'In-Print' offers a conspectus of recent printmaking in Britain. Unusually for an exhibition of this kind, it includes up to six works by each selected artist. They vary in scale, from the giant woodcuts of Emma Stibbon to Andi McGarry's tiny Read on…

Reviewed by: David Briers

Jacqueline Donachie: South

Spike Island, Bristol 21 October – 9 November

In negating the hierarchy that exists in the gallery – between object and observer – Donachie subverts our expectations of the exchange between the work, the artist and the audience. Installing South as a site-specific response to the Read on…

Reviewed by: Jennie Savage

Richer Dust

Abbot Hall Art Gallery and Museum, Kendal
15 October – 21 December

Hughie O'Donoghue established his artistic reputation as a painter. In 1995 he produced The Way Home, his first work using the carborundum process – a printing method using a granular compound of carbon and silica. This exhibition highlights Read on…

Reviewed by: Hughie O'Donoghue

The Shape of Time: Rockfalls, Rivermouths and Ponds

Millais Gallery, Southampton 19 October – 1 December

Through this photographic series of rockfalls from tidal cliffs, river mouths, estuaries and landlocked ponds, Jem Southam presents us with a geological sense of duration which is difficult to conceive. The images of rockfalls bring together two Read on…

Reviewed by: Rosemary Shirley

Private Worlds: Outsider and Visionary Art

Orleans House Gallery, Twickenham 1 September – 11 November

A touch of madness is probably a very healthy thing. This exhibition, the largest of its kind in London since 1979, brings together a collection of unusual and untrained artists – past and present – whose inspired, eccentric and Read on…

Reviewed by: Jessica Houghton

Not What It Seems

National Glass Centre, Sunderland 15 September – 4 November

Jane Mulfinger, Annie Cattrell and Jane Simpson – three artists bonded by a common desire to execute their ideas through the medium of glass – have created a visually varied show. Whilst united in their chosen material, each artist has Read on…

Reviewed by: Kirsteen Aubrey

Jerwood Applied Arts Prize 2001:
Ceramics

Crafts Council Gallery, London 13 September – 28 October

This year's Jerwood Applied Arts Prize is another open submission contest with an exhibition attached. Its real significance is the £15,000 prize for the lucky winner (Jerwood 'fine art' prizes are worth twice that, but we won't linger there). Read on…

Reviewed by: Anatol Orient

 

Julian Opie

Ikon Gallery, Birmingham 14 September – 4 November

Collected together in the Ikon Gallery and displayed in the window of Birmingham's Habitat, Julian Opie's new and recent works are as pervasive and numerous as the visual shorthand we encounter on a daily basis through signage and Read on…

Reviewed by: Krystyn Finn

 

Ten Journeys

Ashburton Gifts and Gallery, Ashburton, Dartmoor 15 – 27 September

Suky Best's current work forms part of an ongoing project organised by DA2 and Aune Head Arts – a non-profit organisation whose aim is to record contemporary Dartmoor. Commonplace details of daily travel undertaken by local residents provided Read on…

Reviewed by: Deborah Robinson

Antoni Malinowski

The De La Warr Pavilion, Bexhill-on-Sea 29 July – 16 September

Opened in 1935 and designed by Eric Mendelsohn and Serge Chermayeff, the Grade I listed building of De La Warr Pavilion on Bexhill sea front is one of the most stunning and best preserved examples of modernist architecture in the country. It is Read on…

Reviewed by: Anna Dumitriu

Beck's Futures 2

Bluecoat Arts Centre, Liverpool 2 August – 15 September

Beck's – not a bad bottle of beer; 'BECK'S Futures' – big money. With a total prize fund of £65,000, it outstrips the Turner Prize in purely cash terms. With the commendable aims of identifying and supporting the most promising young Read on…

Reviewed by: Lucienne Cole

Reviews »

Page 28 of 30 :